What saves Pool from getting lost in its own glossy vibes is an underlying sense of intimacy, helped no doubt by its being recorded mainly in Maine’s Manhattan apartment, and by some warmly enigmatic backing vocals from Greta Kline, better known as Frankie Cosmos. We want to hear from you! Endings require answers—or at least some gesture toward certainty. There's even a heartstopping saxophone solo. All rights reserved. But the real feat of this record is the sequencing, beginning with the pillowy ambient of “A Sea of Love” and ending with a look to the stars via “The Sacred Dance.” In between, the album lurches and drifts through underwater atmospherics, subtle sonar pings, and blunted nostalgia trips via the sound of ’70s science films. Use of and/or registration on any portion of this site constitutes acceptance of our User Agreement (updated 1/1/20) and Privacy Policy and Cookie Statement (updated 1/1/20). Guitar-based music has largely been absent from Top 40 playlists, but artists operating in the pop-rock idiom had fun pushing forward. –Marc Hogan, Greta Kline is the girl on the F train scanning the subway car’s bounty for inspiration, scribbling her thoughts in a notebook. Lizzo‘s boisterous “Good As Hell,” produced by omnipresent 2016 producer Ricky “Wallpaper” Reed,” is a straight-no-chaser shot of self-confidence with a call-and-response chorus. Slaughter Gang; ... round bass buoys his flat, vocal fry monotone. Cardinal contains that power and hope. There's even a heartstopping saxophone solo. Prima Donna is existentially trapped music—when you’re too wealthy to complain but branded a consumer product, forced to answer condescending questions, and smile for inane selfies. Guitar-based pop stood firm too, from those wry kids in the 1975 to those spunky old-timers in the Monkees. At the right volume, it can muffle the outside world entirely. It demands we learn how to talk with one another. Pitchfork is the most trusted voice in music. Rihanna, Lady Gaga and the 1975 made some of 2016's best pop albums. The burbling, drunken loop of “Lifeblood” is in constant danger of being overtaken by a lush drone, while “Marked for Life” drags warmth from what sounds like the flickering glow of a million computer screens. It’s consistently jarring, but it also makes sense. –Matthew Ramirez. The laconic yet vivid lyrics, with references to weed, water, and other music, belie Maine’s background in painting. Flutes, xylophones, and old video game effects contrast with the harsh whisper of Savage alongside, a love song, seems hopeless, but Savage’s near-percussive repetition of “I can feel it in the air” is intoxicating.
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